Darkness
is the gallop
of wounded—
bones
clanking
in the shadow-hall.
Light
is a frantic
corridor of
organs,
the end
comes
in dead—
hands and daggers.
Silence approaches
motionless
like the growth
of a sycamore,
ghostly
white mourning
behind the teeth
of a churchyard.
The twist
of cobble stone
mimics the creek
bed in its winding
to the foramen
corpus
like the formation
of snake-line
fractures
in the ceiling-texture,
animals:
hyenas,
the condor,
the weight—
of a coffin
lid pressing
on the bedside
of morning.
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